Emily Mae Smith

Emily Mae Smith (b.1979 in Austin, Texas) lives and works in Brooklyn, New York.

Recent solo exhibitions include "The Sphinx or The Caress", Simone Subal Gallery, New York (2017); "Tesla Girls", Rodolphe Janssen, Brussels (2016); "Honest Espionage," Mary Mary, Glasgow (2016); "Medusa", Laurel Gitlen, New York (2015). Select group exhibitions include "Pharmacy for Idiots", Rob Tufnell and Tanya Leighton, Köln (2017); "Women to the Front, Works from the Miller Meigs Collection", Lumber Room, Portland (2017); "QATRIÈME SEXE, Indéfinition des genres, réaffirmation des plaisirs", curated by Marie Maertens, Le Coeur, Paris (2017); "Scarlet Street", Lucien Terras, New York (2016); "Me, Myself, I", China Art Objects Galleries, Los Angeles (2016); "Surrreal", König Galerie (St. Agnes), Berlin (2016); "Untitled Body Parts", Simone Subal Gallery, New York (2016); "Six Advertisements", Marlborough Chelsea, New York (2015); "Unrealism", organized by Jeffrey Deitch and Larry Gagosian, The Moore Building, Miami (2015); "Mrs. Benway", Fourteen30 Contemporary, Portland (2015); "I Dropped the Lemon Tart", Lisa Cooley, New York (2015); "Parallax Futured: Transtemporal Subjectivities", Skirball Museum, Cincinnati (2014).