Josephine Pryde
Pryde’s work attacks stock photographic aesthetic by technically reworking and reconfiguring images and by addressing the conditions of their display. The surfaces of glossy fashion photographs are disrupted by the insertion of aluminium tubes, which emphasise their ‘objectness’ and their status as artworks. Colourful photoshop juxtapositions of MRI scans of the human foetus and macro-lens desertscapes are unnervingly loaded. They refer to the history of darkroom experimentation and to contemporary medical-imaging techniques. Pryde doesn’t reject the language of photographic imagery, rather she adopts it and layers it up. Her guinea pig portraits are inspired by ‘cute pet photography’ but her choice of subject conjures associations with laboratory research.
Selected works
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All-in-one I
c-print 57×48cm, 2014

Knickers I
c-print 57×48cm, 2014

Knickers II
c-print 57×48cm, 2014

Knickers VII
c-print 57×48cm, 2014

Knickers IV
c-print 57×48cm, 2014

Knickers IX
c-print 57×48cm, 2014

Bra I
c-print 57×48cm, 2014

Bra IV
c-print 57×48cm, 2014

Bra and Knickers I
c-print 57×48cm, 2014

Bra and Knickers II
c-print 57×48cm, 2014

I Heart Kotti
c-print 57×48cm, 2014