Ghost of the future, filled with memories of past at Moderna Museet, Malmö
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selected works
View: ,
'Ocean of Endangered Times'
acrylic, canvas 600×400cm 2019





'Ghost of the future, filled with memories of past '
bathtub made of hand-painted ceramic tiles 68×147×78cm 2019

'Bath for the Vulture, Filled With Memories, My Last'
oil, acrylic, canvas 61×45cm 2019

'The Emptiness of the Empty Eyes'
oil, canvas 61×45cm 2019

'Ghost of the future, filled with memories of past '
bathtub made of hand-painted ceramic tiles 68×147×78cm 2019

'Tree trunks, serpents and other animals. Paintings as stages and benches, stages and benches as paintings.'
wood, acrylic 120×120cm 2017 - 2018









installation views
View: ,MERIKE ESTNA
GHOST OF THE FUTURE, FILLED WITH MEMORIES OF PAST
Merike Estna’s installations bring together painting, sculpture and performance, with the viewer often becoming a natural part of the work. The oeuvre of this idiosyncratic artist is being presented in Scandinavia for the first time, in a solo exhibition where abstract imagery meets seemingly simple motifs taken from folktales and mythology.
Merike Estna has discussed and tested the limits of painting as both idea and action over a long period of time. With her expressive style, the Estonian artist unites an abstract visual language that seems to be taken from our digital age with motifs from myths and folk tales. In her work, an inviting openness converges with an understated sense of humour, examining the tradition-laden structures that have come to be associated with the medium of painting in particular.
The painterly medium is allowed to expand beyond frame and canvas, taking over both the exhibition space and the human body. The works occasionally function as props or objects and take the shape of benches, tables, floor or wearable items of clothing. Through social and performative elements, the viewer is coaxed into mutual, at times subtle participation.
Merike Estna also introduces handicraft techniques, such as ceramics, into her installations. Through her choice of motifs, creative processes, materials and poetic titles, the viewer’s understanding and interpretation is led in several different directions including philosophical, political and personal dimensions.
In Merike Estna’s work, painting becomes a living, fluid substance with unforeseen possibilities, and where the spiritual meets the material. Her work seems to be as much about the specific medium itself as the attitude and freedom that permeates both the process and the social structures that come out of it.
Curator: Andreas Nilsson






