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Jaanus Samma at Contemporary Art Museum of Estonia (EKKM), Tallinn

Exhibition: Photo by Paul Kulmet

Jaanus Samma's solo show “Iron Men” at Contemporary Art Museum of Estonia, Tallinn.

Exhibition dates: August 24 – October 15, 2023

Curated by Krist Gruijthuijsen

The exhibition Iron Men, curated by Krist Gruijthuijsen (KW Institute for Contemporary Art in Berlin) at the Contemporary Art Museum of Estonia (EKKM)presents a suite of new works, which continue Samma’s exploration and analysis on national narratives and representations of power through masculinity. 

Jaanus Samma follows artists recent curation at the Estonian Museum of Applied Art and Design, in which he investigated the use of national patterns and motifs in Estonian applied art and printmaking between the 1930s and the 1950s. In this exhibition, Samma mainly explored how national iconography is connected to power and how it has shaped Estonians’ self-image. Iron Men focuses on several elements that were included in that show, in particular the depiction of the so-called hero, one that symbolises and embodies strength, masculinity, protection and conviction.
Without making a statement, the exhibition aims to connect several male protagonists who each have contributed to Estonia’s national pride, both in a mythological as well as political sense. Samma uses storytelling and forms of documentations to trace forgotten or overlooked histories in order to demasculinise the patriarchy.

The exhibition is divided into four sections. The first features a rug that the paramilitary youth organisation Home Daughters presented to Konstantin Päts, the first president of Estonia, in 1938 on the occasion of the 20th anniversary of the Republic of Estonia. The second section concentrates on Voldemar Päts’s publication entitled Estonian National Dress and Designs (1926), which had a significant influence on the output of many design studios and workshops in the 1920s and 1930s. Within the third section, the statue of Apollo takes centre stage, of which several copies appeared in Estonia in the years following the late 1880s. And finally, the last section queers the depiction of Kalevipoeg, a national symbol for the Estonian people.

With a light touch of irony, Iron Men playfully examines Estonia’s history and the men that are so proudly included in it.

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